{"id":4527,"date":"2019-06-07T15:45:01","date_gmt":"2019-06-07T15:45:01","guid":{"rendered":"https:\/\/centrodearteoliva.pt\/exposicao\/intersticial-dialogos-no-espaco-entre-acontecimentos-ii-arte-portuguesa-na-colecao-norlinda-e-jose-lima-interstitial-dialogues-in-the-space-between-events-ii-portuguese-art-in-the-norli\/"},"modified":"2019-06-07T15:45:01","modified_gmt":"2019-06-07T15:45:01","slug":"intersticial-dialogos-no-espaco-entre-acontecimentos-ii-arte-portuguesa-na-colecao-norlinda-e-jose-lima-interstitial-dialogues-in-the-space-between-events-ii-portuguese-art-in-the-norli","status":"publish","type":"exposicao","link":"https:\/\/centrodearteoliva.pt\/en\/exhibition\/intersticial-dialogos-no-espaco-entre-acontecimentos-ii-arte-portuguesa-na-colecao-norlinda-e-jose-lima-interstitial-dialogues-in-the-space-between-events-ii-portuguese-art-in-the-norli\/","title":{"rendered":"Intersticial: Di\u00e1logos no Espa\u00e7o entre Acontecimentos II – Arte portuguesa na Cole\u00e7\u00e3o Norlinda e Jos\u00e9 Lima [Interstitial: Dialogues in the Space between Events II \u2013 Portuguese Art in the Norlinda and Jos\u00e9 Lima Collection]"},"template":"","categories":[],"class_list":["post-4527","exposicao","type-exposicao","status-publish","hentry"],"acf":{"highlight__homepage_image":3231,"highlight__homepage_fg_color":"black","highlight__thumbnail":3231,"metadata__image":false,"hero_image":3231,"exhib__booklet_image":4068,"exhib__room-sheet_image":3176,"hero_image_or_slideshow":false,"exhib__blocks":{"flx_lyt":[{"acf_fc_layout":"flx_lyt__text","flx_lyt__text":"

Intersticial: Di\u00e1logos no Espa\u00e7o entre Acontecimentos I e II<\/em>, curated by Miguel von Hafe P\u00e9rez, features a vast selection of works by Portuguese artists whose oeuvre spans a period from 1971 to 2014. In the words of the curator the project \u2018proposes a re-reading of the Norlinda and Jos\u00e9 Lima Collection. To think the art object as event points not only to the philosophical plane (in which Heidegger\u2019s or Deleuze\u2019s readings of art as event are crucial) but also as a possibility of looking at artistic proposals as complex meaning structures. The purely visual event is confronted with a series of alterity-events that may prove pertinent at the level of social and political history, the circumstances of coeval system of representation, institutional articulation systems and critical reception systems. As entities that float in a mutant grid, the juxtaposition of complementary or contradictory energies represented by the simple placing side by side of works from different epochs and by different authors points to an interpretative space that those voids claim with the intensity that the centralizing gaze of the work in itself may sometimes demand. In the continuous dialogue between these passages there is sometimes a more effective learning of singularity in diversity. Such is one of the aims, and greatest challenges, of producing a group exhibition: the possibility of a discursive articulation that may come about in the voids, the spaces in-between, so that the gaze may be permeable to thought\u2019. <\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Artists:<\/strong> Ana Cardoso, Andr\u00e9 Cepeda, Ant\u00f3nio Olaio, Ant\u00f3nio Palolo, Arlindo Silva, Carla Cruz, Daniel Barroca, Diogo Piment\u00e3o, Fernando Calhau, Francisco Queir\u00f3s, Helena Almeida, Jo\u00e3o Mar\u00e7al, Jo\u00e3o Maria Gusm\u00e3o + Pedro Paiva, Jo\u00e3o Onofre, Jo\u00e3o Pedro Vale, Jo\u00e3o Queiroz, Jo\u00e3o Tabarra, Joaquim Rodrigo, Jorge Queiroz, Jos\u00e9 Loureiro, Mafalda Santos, Mauro Cerqueira, Michael Biberstein, Miguel Palma, No\u00e9 Sendas, Pedro Cabrita Reis e Pedro Tudela.<\/p>\n

Miguel von Hafe P\u00e9rez<\/strong>, is a critic and curator. He was responsible for Visual Arts and Architecture in the context of Porto European Cultural Capital 2001. Between 2002 and 2005, he was a member of the curatorial panel of Centre d\u2019Art Santa M\u00f3nica, in Barcelona, and co-responsible for that institution\u2019s programming. Author and coordinator of the project Anamnese, he was a precursor in the field of archiving contemporary art in Portugal. He directed Centro Galego de Arte Contempor\u00e2nea de Santiago de Compostela from 2009 to 2015. <\/p>\n"},{"acf_fc_layout":"flx_lyt__simple_slideshow","flx_lyt__width":"","flx_lyt__simple_slideshow":[{"ID":3227,"id":3227,"title":"Intersticial II (1) \u00a9 Dinis Santos","filename":"intersticial-ii-1-dinis-santos.jpg","filesize":723636,"url":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/intersticial-ii-1-dinis-santos.jpg","link":"https:\/\/centrodearteoliva.pt\/en\/exposicao\/intersticial-dialogos-no-espaco-entre-acontecimentos-ii-arte-portuguesa-na-colecao-norlinda-e-jose-lima\/intersticial-ii-1-dinis-santos-2\/","alt":"","author":"1","description":"","caption":"","name":"intersticial-ii-1-dinis-santos-2","status":"inherit","uploaded_to":531,"date":"2019-06-07 11:07:11","modified":"2019-06-07 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Exhibition view \u00a9 Dinis Santos<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Side activities<\/strong><\/p>\n

December 01, 2018
\nTalk with Miguel von Hafe P\u00e9rez and Juli\u00e3o Sarmento<\/p>\n

21 and 24 November 2018
\nLabirinto Prop\u00edcio<\/a> #3 a casa das cores [Propitious labyrinth # 3 the house of colours]
\nWhat is a whipping-top, a plumb line, a pendulum and the equator that divides the planet\u2019s hemispheres? A moving chromatic circle.<\/p>\n"},{"acf_fc_layout":"flx_lyt__localvideo","flx_lyt__width":"","flx_lyt__localvideo__caption":"","flx_lyt__localvideo__image":false,"flx_lyt__localvideo__video":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/intersticial.mp4"}]},"exhib__booklet_download":false,"exhib__room-sheet_download":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/Folha-de-sala-Intersticial-II.pdf","exhib__dates":{"start":"19\/10\/2018","end":"24\/03\/2019"},"exhib__curatorship":"Miguel von Hafe P\u00e9rez","exhib__booklet_text":"

Exhibition catalog<\/strong>
\n240 x 175 mm
\n204 pp
\nBilingual POR\/ENG
\nDesign: In\u00eas Nepomuceno e Mariana Marques<\/p>\n

\u20ac 25.00<\/p>\n

\u00a0<\/p>\n

Catalog available at Centro de Arte Oliva or catalog available at the oliva art center or by order via e-mail centrodearteoliva@cm-sjm.pt.<\/a> Shipping costs are added to the above price.<\/p>\n","exhib__room-sheet_text":"

Information sheet<\/strong><\/p>\n","flx_lyt":[{"acf_fc_layout":"flx_lyt__text","flx_lyt__text":"

Intersticial: Di\u00e1logos no Espa\u00e7o entre Acontecimentos I e II<\/em>, curated by Miguel von Hafe P\u00e9rez, features a vast selection of works by Portuguese artists whose oeuvre spans a period from 1971 to 2014. In the words of the curator the project \u2018proposes a re-reading of the Norlinda and Jos\u00e9 Lima Collection. To think the art object as event points not only to the philosophical plane (in which Heidegger\u2019s or Deleuze\u2019s readings of art as event are crucial) but also as a possibility of looking at artistic proposals as complex meaning structures. The purely visual event is confronted with a series of alterity-events that may prove pertinent at the level of social and political history, the circumstances of coeval system of representation, institutional articulation systems and critical reception systems. As entities that float in a mutant grid, the juxtaposition of complementary or contradictory energies represented by the simple placing side by side of works from different epochs and by different authors points to an interpretative space that those voids claim with the intensity that the centralizing gaze of the work in itself may sometimes demand. In the continuous dialogue between these passages there is sometimes a more effective learning of singularity in diversity. Such is one of the aims, and greatest challenges, of producing a group exhibition: the possibility of a discursive articulation that may come about in the voids, the spaces in-between, so that the gaze may be permeable to thought\u2019. <\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Artists:<\/strong> Ana Cardoso, Andr\u00e9 Cepeda, Ant\u00f3nio Olaio, Ant\u00f3nio Palolo, Arlindo Silva, Carla Cruz, Daniel Barroca, Diogo Piment\u00e3o, Fernando Calhau, Francisco Queir\u00f3s, Helena Almeida, Jo\u00e3o Mar\u00e7al, Jo\u00e3o Maria Gusm\u00e3o + Pedro Paiva, Jo\u00e3o Onofre, Jo\u00e3o Pedro Vale, Jo\u00e3o Queiroz, Jo\u00e3o Tabarra, Joaquim Rodrigo, Jorge Queiroz, Jos\u00e9 Loureiro, Mafalda Santos, Mauro Cerqueira, Michael Biberstein, Miguel Palma, No\u00e9 Sendas, Pedro Cabrita Reis e Pedro Tudela.<\/p>\n

Miguel von Hafe P\u00e9rez<\/strong>, is a critic and curator. He was responsible for Visual Arts and Architecture in the context of Porto European Cultural Capital 2001. Between 2002 and 2005, he was a member of the curatorial panel of Centre d\u2019Art Santa M\u00f3nica, in Barcelona, and co-responsible for that institution\u2019s programming. Author and coordinator of the project Anamnese, he was a precursor in the field of archiving contemporary art in Portugal. He directed Centro Galego de Arte Contempor\u00e2nea de Santiago de Compostela from 2009 to 2015. <\/p>\n"},{"acf_fc_layout":"flx_lyt__simple_slideshow","flx_lyt__width":"","flx_lyt__simple_slideshow":[{"ID":3227,"id":3227,"title":"Intersticial II (1) \u00a9 Dinis Santos","filename":"intersticial-ii-1-dinis-santos.jpg","filesize":723636,"url":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/intersticial-ii-1-dinis-santos.jpg","link":"https:\/\/centrodearteoliva.pt\/en\/exposicao\/intersticial-dialogos-no-espaco-entre-acontecimentos-ii-arte-portuguesa-na-colecao-norlinda-e-jose-lima\/intersticial-ii-1-dinis-santos-2\/","alt":"","author":"1","description":"","caption":"","name":"intersticial-ii-1-dinis-santos-2","status":"inherit","uploaded_to":531,"date":"2019-06-07 11:07:11","modified":"2019-06-07 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Exhibition view \u00a9 Dinis Santos<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Side activities<\/strong><\/p>\n

December 01, 2018
\nTalk with Miguel von Hafe P\u00e9rez and Juli\u00e3o Sarmento<\/p>\n

21 and 24 November 2018
\nLabirinto Prop\u00edcio<\/a> #3 a casa das cores [Propitious labyrinth # 3 the house of colours]
\nWhat is a whipping-top, a plumb line, a pendulum and the equator that divides the planet\u2019s hemispheres? A moving chromatic circle.<\/p>\n"},{"acf_fc_layout":"flx_lyt__localvideo","flx_lyt__width":"","flx_lyt__localvideo__caption":"","flx_lyt__localvideo__image":false,"flx_lyt__localvideo__video":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/intersticial.mp4"}]},"_links":{"self":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/exposicao\/4527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/exposicao"}],"about":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/types\/exposicao"}],"wp:attachment":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/media?parent=4527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/categories?post=4527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}