{"id":4524,"date":"2019-06-07T15:32:12","date_gmt":"2019-06-07T15:32:12","guid":{"rendered":"https:\/\/centrodearteoliva.pt\/exposicao\/contra-a-abstraccao-obras-da-colecao-da-caixa-geral-de-depositos-culturgest-against-abstraction-works-in-the-caixa-geral-de-depositos-culturgest-collection\/"},"modified":"2019-06-07T15:32:12","modified_gmt":"2019-06-07T15:32:12","slug":"contra-a-abstraccao-obras-da-colecao-da-caixa-geral-de-depositos-culturgest-against-abstraction-works-in-the-caixa-geral-de-depositos-culturgest-collection","status":"publish","type":"exposicao","link":"https:\/\/centrodearteoliva.pt\/en\/exhibition\/contra-a-abstraccao-obras-da-colecao-da-caixa-geral-de-depositos-culturgest-against-abstraction-works-in-the-caixa-geral-de-depositos-culturgest-collection\/","title":{"rendered":"Contra a abstrac\u00e7\u00e3o. Obras da Cole\u00e7\u00e3o da Caixa Geral de Dep\u00f3sitos – Culturgest [Against abstraction. Works in the Caixa Geral de Dep\u00f3sitos \u2013 Culturgest Collection]"},"template":"","categories":[],"class_list":["post-4524","exposicao","type-exposicao","status-publish","hentry"],"acf":{"highlight__homepage_image":3354,"highlight__homepage_fg_color":"white","highlight__thumbnail":3354,"metadata__image":false,"hero_image":3354,"exhib__booklet_image":3121,"exhib__room-sheet_image":3090,"hero_image_or_slideshow":false,"exhib__blocks":{"flx_lyt":[{"acf_fc_layout":"flx_lyt__text","flx_lyt__text":"

Organized with artworks from the Caixa Geral de Dep\u00f3sitos Collection, the exhibition Contra a Abstra\u00e7\u00e3o<\/em> examines one the main concepts in art history: abstraction. Focusing on its multiple (often contradictory) models, it features seminal references from European geometric abstractionism as well as the works of artists that fostered the fusion of different aesthetics and cultures demonstrating that abstraction has always been a space for sharing in different contexts and periods. Contra a Abstra\u00e7\u00e3o<\/em> seeks to represent the reality of artistic expressions of Modernism, highlighting the interest in identitary manifestations of popular culture, as well as in the ludic, functional, collective and communal characteristics of art.<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Artists:<\/strong> \u00c1lvaro Lapa, Ana Hatherly, Ana Jotta, Ana Maria Tavares, Ana Miranda Rodrigues, ngela Ferreira, ngelo de Sousa, Ant\u00f3nio Ole, Ant\u00f3nio Palolo, Bartolomeu Cid dos Santos, Bruno Pacheco, Cruzeiro Seixas, Dick Arentz, Domingos Pinho, Edgard de Souza, Eduardo Batarda, Ernesto de Sousa, Espiga Pinto, Fernanda Fragateiro, Fernando Calhau, Francisco Rocha, Gerardo Burmester, Godfrey Frankel, Isabel Pons, Jac Leirner, Joana R\u00eago, Jo\u00e3o Paulo Feliciano, Joaquim Bravo, Joaquim Rodrigo, Jorge Pinheiro, Jos\u00e9 Loureiro, Jos\u00e9 M. Rodrigues, Jos\u00e9 Pedro Croft, J\u00falia Ventura, Kees Scherer, Leonel Moura, Lu\u00eds Dem\u00e9e, Manuela Almeida, Margarida Reis, Miguel Soares, Nadir Afonso, Pedro Cabrita Reis, Pedro Casqueiro, Pedro Portugal, Peter Fink, Pires Vieira, Rui Sanches.<\/p>\n

Sandra Vieira J\u00fcrgens<\/strong> is the coordinating guest lecturer of the Post-Graduation in Art Curatorship at the Faculty of Social and Human Sciences of Universidade Nova de Lisboa. She is the editor of the online magazine Wrong Wrong and the digital platform raum: online art residencies, two projects by Terceiro Direito \u2013 Associa\u00e7\u00e3o Cultural. She conceived, published and edited the magazine Artecapital, since its launching in 2006 until 2013. She was the editor of N\u00famero Magazine (2001) and magazine Artes & Leil\u00f5es (2007-2010). J\u00fcrgens was an art critic for the magazines Arte y Parte<\/em> (2001-2007), Pangloss<\/em> (2004) andL+Arte<\/em> (2005-2007), and is a permanent collaborator of Arq|a \u2013 Arquitectura e Arte. She coordinated the national and international communications of the Portuguese representations to the Vernice Biennale and the S\u00e3o Paulo Biennial. She is a member of the Portuguese section of AICA (International Association of Art Critics) since 2006. <\/p>\n

Production: Culturgest \u2013 Caixa Geral de Dep\u00f3sitos Foundation<\/strong><\/p>\n"},{"acf_fc_layout":"flx_lyt__simple_slideshow","flx_lyt__width":"bigger","flx_lyt__simple_slideshow":[{"ID":3355,"id":3355,"title":"DSC_1714","filename":"dsc_1714.jpg","filesize":8740559,"url":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/dsc_1714.jpg","link":"https:\/\/centrodearteoliva.pt\/en\/exposicao\/contra-a-abstraccao-obras-da-colecao-da-caixa-geral-de-depositos-culturgest\/dsc_1714-2\/","alt":"","author":"1","description":"","caption":"","name":"dsc_1714-2","status":"inherit","uploaded_to":530,"date":"2019-06-07 11:39:54","modified":"2019-06-07 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Exhibition view \u00a9 Maria Manuel<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Side activities<\/strong><\/p>\n

01 June 2019
\nVisit to the exhibition by the curator Sandra Vieira J\u00fcrgens<\/p>\n

24 and 28 March and 28 April 2019
\nLabirinto Prop\u00edcio<\/a> #4 a aventura do incerto
\n<\/strong>I borrowed the title from Henri Michaux, from whom we are going to read a text about drawing that is also about writing while watching a drawing by Ana Hatherly, from whom we are going to read a poem that is also a drawing while watching a painting by \u00c1lvaro Lapa, by whom we are going read a text while looking at a drawing by Henri Michaux.<\/p>\n

<\/span><\/p>\n"}]},"exhib__booklet_download":false,"exhib__room-sheet_download":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/CA_folha-de-sala_Oliva_v5.pdf","exhib__dates":{"start":"15\/03\/2019","end":"02\/06\/2019"},"exhib__curatorship":"Sandra Vieira J\u00fcrgens","exhib__booklet_text":"

Exhibition catalog<\/strong><\/p>\n

165 x 230 mm
\n128pp
\nDesign: Sofia Gon\u00e7alves
\nLegal deposit: 442242\/18
\n\u20ac 12.00<\/p>\n

\u00a0<\/p>\n

Catalog available at Centro de Arte Oliva or catalog available at the oliva art center or by order via e-mail centrodearteoliva@cm-sjm.pt.<\/a> Shipping costs are added to the above price.<\/p>\n","exhib__room-sheet_text":"

Information sheet<\/strong><\/p>\n","flx_lyt":[{"acf_fc_layout":"flx_lyt__text","flx_lyt__text":"

Organized with artworks from the Caixa Geral de Dep\u00f3sitos Collection, the exhibition Contra a Abstra\u00e7\u00e3o<\/em> examines one the main concepts in art history: abstraction. Focusing on its multiple (often contradictory) models, it features seminal references from European geometric abstractionism as well as the works of artists that fostered the fusion of different aesthetics and cultures demonstrating that abstraction has always been a space for sharing in different contexts and periods. Contra a Abstra\u00e7\u00e3o<\/em> seeks to represent the reality of artistic expressions of Modernism, highlighting the interest in identitary manifestations of popular culture, as well as in the ludic, functional, collective and communal characteristics of art.<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Artists:<\/strong> \u00c1lvaro Lapa, Ana Hatherly, Ana Jotta, Ana Maria Tavares, Ana Miranda Rodrigues, ngela Ferreira, ngelo de Sousa, Ant\u00f3nio Ole, Ant\u00f3nio Palolo, Bartolomeu Cid dos Santos, Bruno Pacheco, Cruzeiro Seixas, Dick Arentz, Domingos Pinho, Edgard de Souza, Eduardo Batarda, Ernesto de Sousa, Espiga Pinto, Fernanda Fragateiro, Fernando Calhau, Francisco Rocha, Gerardo Burmester, Godfrey Frankel, Isabel Pons, Jac Leirner, Joana R\u00eago, Jo\u00e3o Paulo Feliciano, Joaquim Bravo, Joaquim Rodrigo, Jorge Pinheiro, Jos\u00e9 Loureiro, Jos\u00e9 M. Rodrigues, Jos\u00e9 Pedro Croft, J\u00falia Ventura, Kees Scherer, Leonel Moura, Lu\u00eds Dem\u00e9e, Manuela Almeida, Margarida Reis, Miguel Soares, Nadir Afonso, Pedro Cabrita Reis, Pedro Casqueiro, Pedro Portugal, Peter Fink, Pires Vieira, Rui Sanches.<\/p>\n

Sandra Vieira J\u00fcrgens<\/strong> is the coordinating guest lecturer of the Post-Graduation in Art Curatorship at the Faculty of Social and Human Sciences of Universidade Nova de Lisboa. She is the editor of the online magazine Wrong Wrong and the digital platform raum: online art residencies, two projects by Terceiro Direito \u2013 Associa\u00e7\u00e3o Cultural. She conceived, published and edited the magazine Artecapital, since its launching in 2006 until 2013. She was the editor of N\u00famero Magazine (2001) and magazine Artes & Leil\u00f5es (2007-2010). J\u00fcrgens was an art critic for the magazines Arte y Parte<\/em> (2001-2007), Pangloss<\/em> (2004) andL+Arte<\/em> (2005-2007), and is a permanent collaborator of Arq|a \u2013 Arquitectura e Arte. She coordinated the national and international communications of the Portuguese representations to the Vernice Biennale and the S\u00e3o Paulo Biennial. She is a member of the Portuguese section of AICA (International Association of Art Critics) since 2006. <\/p>\n

Production: Culturgest \u2013 Caixa Geral de Dep\u00f3sitos Foundation<\/strong><\/p>\n"},{"acf_fc_layout":"flx_lyt__simple_slideshow","flx_lyt__width":"bigger","flx_lyt__simple_slideshow":[{"ID":3355,"id":3355,"title":"DSC_1714","filename":"dsc_1714.jpg","filesize":8740559,"url":"https:\/\/centrodearteoliva.pt\/wp-content\/uploads\/2019\/06\/dsc_1714.jpg","link":"https:\/\/centrodearteoliva.pt\/en\/exposicao\/contra-a-abstraccao-obras-da-colecao-da-caixa-geral-de-depositos-culturgest\/dsc_1714-2\/","alt":"","author":"1","description":"","caption":"","name":"dsc_1714-2","status":"inherit","uploaded_to":530,"date":"2019-06-07 11:39:54","modified":"2019-06-07 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Exhibition view \u00a9 Maria Manuel<\/p>\n"},{"acf_fc_layout":"flx_lyt__text_small","flx_lyt__text_small":"

Side activities<\/strong><\/p>\n

01 June 2019
\nVisit to the exhibition by the curator Sandra Vieira J\u00fcrgens<\/p>\n

24 and 28 March and 28 April 2019
\nLabirinto Prop\u00edcio<\/a> #4 a aventura do incerto
\n<\/strong>I borrowed the title from Henri Michaux, from whom we are going to read a text about drawing that is also about writing while watching a drawing by Ana Hatherly, from whom we are going to read a poem that is also a drawing while watching a painting by \u00c1lvaro Lapa, by whom we are going read a text while looking at a drawing by Henri Michaux.<\/p>\n

<\/span><\/p>\n"}]},"_links":{"self":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/exposicao\/4524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/exposicao"}],"about":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/types\/exposicao"}],"wp:attachment":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/media?parent=4524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/categories?post=4524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}