{"id":4484,"date":"2019-06-07T14:17:45","date_gmt":"2019-06-07T14:17:45","guid":{"rendered":"https:\/\/centrodearteoliva.pt\/colecao-post\/modern-and-contemporary-art-collection-norlinda-e-jose-lima\/"},"modified":"2024-02-06T10:34:37","modified_gmt":"2024-02-06T10:34:37","slug":"modern-and-contemporary-art-collection-norlinda-e-jose-lima","status":"publish","type":"colecao","link":"https:\/\/centrodearteoliva.pt\/en\/collection\/modern-and-contemporary-art-collection-norlinda-e-jose-lima\/","title":{"rendered":"Norlinda and Jos\u00e9 Lima Collection of Modern and Contemporary Art"},"template":"","class_list":["post-4484","colecao","type-colecao","status-publish","hentry"],"acf":{"collection__thumb":3374,"metadata__image":false,"hero_image":3374,"hero_image_or_slideshow":false,"flx_lyt":[{"acf_fc_layout":"flx_lyt__text","flx_lyt__text":"<p>The Norlinda and Jos\u00e9 Lima Collection is one of the largest private art collections in Portugal. It includes around one thousand two hundred artworks by two hundred and fifty Portuguese artists and two hundred and thirty international artists. Started by the collectors in 1980, this project is unusually consistent in the Portuguese context. The collection spans a period of almost a century, from 1926 to 2019, with a major focus on the artistic production of the last forty years. This unusual chronological span is coupled with disciplinary diversity, as well as media and process variety: painting, sculpture, drawing, photography, installation, film and video. The geographic diversity of the artists is also remarkable: Portugal and Spain are extensively represented in the collection; there are artists from historical artistic centres, such as Germany and the US, but also from Latin America, Africa, Asia and Eastern Europe, including both emerging and renowned artists. The inclusion of several artworks by the same artist or collective, as well as from the same period, is meant to form authorial, thematic and formal nuclei that bring coherence to (and ensure the development of) the collection, a feature that is usually more apparent in institutional rather private collections. The collection is on long term loan at S\u00e3o Jo\u00e3o da Madeira Municipal Council since 2009, having led to the foundation of Oliva Art Centre, which has been presenting a regular programme of temporary exhibitions since its opening in 2013.<\/p>\n"},{"acf_fc_layout":"flx_lyt__slideshow","flx_lyt__width":"","flx_lyt__slideshow":[{"flx_lyt__slideshow__numcol":true,"flx_lyt__image":3391,"flx_lyt__image2":3409,"flx_lyt__url":"","flx_lyt__url2":"","flx_lyt__caption":"Lourdes Castro. Shadow cast from a suitcase, 1966 \u00a9 Andr\u00e9 Rocha","flx_lyt__caption2":"\u00c1lvaro Lapa. Camp\u00e9stico, 1986 \u00a9 An\u00edbal Lemos"},{"flx_lyt__slideshow__numcol":true,"flx_lyt__image":3404,"flx_lyt__image2":3396,"flx_lyt__url":"","flx_lyt__url2":"","flx_lyt__caption":"Jo\u00e3o Queiroz. Untitled, 2011 \u00a9 Paulo Cunha Martins","flx_lyt__caption2":"Jos\u00e9 Bechara. Ultramar with Five Heads, 2011 \u00a9 An\u00edbal Lemos"},{"flx_lyt__slideshow__numcol":true,"flx_lyt__image":3395,"flx_lyt__image2":3393,"flx_lyt__url":"","flx_lyt__url2":"","flx_lyt__caption":"Nan Goldin. Robin at Breakfast, Boston, 1977 \u00a9 An\u00edbal Lemos","flx_lyt__caption2":"Ana Vieira. Waiting Room - Furniture Affirming Its Uselessness, 2014 \u00a9 Paulo Cunha Martins"}]}]},"_links":{"self":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/colecao\/4484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/colecao"}],"about":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/types\/colecao"}],"wp:attachment":[{"href":"https:\/\/centrodearteoliva.pt\/en\/wp-json\/wp\/v2\/media?parent=4484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}